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In the novel he is wounded and taken in by the family whose house it is. Probably the most drastic and for me the most necessary difference between this picture and the novel is Oliver's fate after he is forced to accompany Bill Sikes on the burglary. While the versions made in 19 are faithful if rather pared-down adaptations, the screenplay by David Lean and Stanley Haynes was the first to do the unthinkable and rewrite Dickens. This is why, throughout all the screen versions, depictions of figures such as Mr Bumble, Fagin and Bill Sykes differ very little, key scenes such as asking for more or the handkerchief stealing game are staged similarly, but there are many variations as to the overall plot. Oliver Twist's strength lies in its larger-than-life characters, sparkling dialogue and imaginative set-pieces, but structurally it has some huge problems. It may be considered bad form to even think of criticising an undisputed genius, but bear in mind that this was only his second novel, and he was a young and inexperienced writer. First, we must begin by acknowledging that Dickens's book is a great but somewhat flawed work. It's said that comparisons are odious, but it's necessary to examine it in relation to the other four to reveal why it is so highly regarded, as well as to some extent debunk its revered status.
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Of the five extant full-length features based on Charles Dickens's Oliver Twist (among which I include the 1968 musical), this 1948 version is often considered the yardstick against which all others are measured.